"Munich is a place where we have had some of the strongest Sophies:
Seen and Heard International
"....frenetic, never-ending interim applause for Redpath's breathtaking Ophélie...Equal to the former bravura aria by Maria Callas...such a radiant voice, effortless even in the highest register and breathtaking coloratura, has likely not been heard for a long time"
Berliner Umschau
"....frenetic, never-ending interim applause for Redpath's breathtaking Ophélie...Equal to the former bravura aria by Maria Callas...such a radiant voice, effortless even in the highest register and breathtaking coloratura, has likely not been heard for a long time"
Berliner Umschau
"Munich is a place where we have had some of the strongest Sophies:
Seen and Heard International
UPCOMING
In 2023/24, Ms. Redpath has debuts at Royal Opera House and Staatsoper Hamburg as Lucia di Lammermoor, and her role and house debut as Oscar in Un ballo in maschera at The Metropolitan Opera, where she later sings Pamina in The Magic Flute. In the spring, she reprises Tytania in A Midsummer Night’s Dream for The Atlanta Opera. Summer of ’24, Ms. Redpath returns to The Santa Fe Opera as Zerlina in Don Giovanni and Sophie in Der Rosenkavalier.
Ms. Redpath looks forward to concert collaborations with Kirill Petrenko and Berliner Philharmoniker on Schoenberg: Die Jakobsleiter, Harry Bicket and The English Concert on L’incorinazione di Poppea, Bernard Labadie and Orchestra of St. Luke’s on Bach’s Christmas Oratorio, Barbara Hannigan and Orchestre Philharmonique de Radio France on Knoxville: Summer of 1915, Daniel Harding and The Cleveland Orchestra on Mahler’s 4th Symphony, Federico Cortese and Harvard Radcliffe Orchestra on Strauss’ Brentano Lieder, François López-Ferrer and the Cincinnati Symphony Orchestra on Fauré’s Requiem, as well as concerts at Wigmore Hall and The Church in Sag Harbor.
UPCOMING
In 2023/24, Ms. Redpath has debuts at Royal Opera House and Staatsoper Hamburg as Lucia di Lammermoor, and a house and role debut as Oscar in Un ballo in maschera at The Metropolitan Opera, where she later sings Pamina in The Magic Flute. In the spring, she reprises Tytania in A Midsummer Night’s Dream for The Atlanta Opera. In summer of ’24, Ms. Redpath returns to The Santa Fe Opera as Zerlina in Don Giovanni and Sophie in Der Rosenkavalier.
Ms. Redpath looks forward to concert collaborations with Kirill Petrenko and Berliner Philharmoniker on Schoenberg: Die Jakobsleiter, Harry Bicket and The English Concert on L’incorinazione di Poppea, Bernard Labadie and Orchestra of St. Luke’s on Bach: Christmas Oratorio, Barbara Hannigan and Orchestre Philharmonique de Radio France on Knoxville: Summer of 1915, Daniel Harding and The Cleveland Orchestra on Mahler: 4th Symphony, Federico Cortese and Harvard Radcliffe Orchestra on Strauss: Brentano Lieder, François López-Ferrer and Cincinnati Symphony Orchestra on Fauré: Requiem, as well as concerts at Wigmore Hall and The Church in Sag Harbor.
aBOUT
Liv Redpath is a young leading soprano leggero on opera and concert stages around the world. She opened her 2022/23 calendar season singing the title role in the new Simon Stone production of Lucia di Lammermoor at Los Angeles Opera. Ms. Redpath then debuted at La Monnaie/De Munt in Brussels, where she returned to the role of Sophie in Der Rosenkavalier, working with director Damiano Michieletto and conductor Alain Altinoglu; she was met with “never-ending interim applause” for her first outing as Ophélie in a new production of Thomas’ Hamlet by Nadja Loschky at Komische Oper Berlin with Marie Jacquot on the podium, and spent her summer at Glyndebourne Festival, where she debuted as Tytania in Peter Hall’s production of A Midsummer Night’s Dream with Dalia Staseveska conducting. Concert appearances included Handel’s Messiah with National Symphony Orchestra and Fabio Biondi, Nielsen’s Symphony No. 3 with The Cleveland Orchestra and Alan Gilbert, Beethoven’s Symphony No. 9 with the Boston Philharmonic Orchestra, Nielsen’s Hymnus Amoris and Symphony No. 3 with Danish National Symphony Orchestra and Fabio Luisi, Beethoven’s Missa Solemnis at Festival d’Aix-en-Provence with Balthazar Neumann Orchestra & Choir led by Thomas Hengelbrock, and recitals at Carnegie Hall with Orchestra of St. Luke’s and Oscarshall Palace in Oslo.
aBOUT
Liv Redpath is a young leading soprano leggero on opera and concert stages around the world. She opened her 2022/23 calendar season singing the title role in the new Simon Stone production of Lucia di Lammermoor at Los Angeles Opera. Ms. Redpath then debuted at La Monnaie/De Munt in Brussels, where she returned to the role of Sophie in Der Rosenkavalier, working with director Damiano Michieletto and conductor Alain Altinoglu; she was met with “never-ending interim applause” for her first outing as Ophélie in a new production of Thomas’ Hamlet by Nadja Loschky at Komische Oper Berlin with Marie Jacquot on the podium, and will soon begin at the Glyndebourne Festival where she essays the role of Tytania in Peter Hall’s production of A Midsummer Night’s Dream with Dalia Staseveska conducting. Concert appearances include Handel’s Messiah with National Symphony Orchestra and Fabio Biondi, Nielsen’s Symphony No. 3 with The Cleveland Orchestra and Alan Gilbert, Beethoven’s Symphony No. 9 with the Boston Philharmonic Orchestra, Nielsen’s Hymnus Amoris and Symphony No. 3 with Danish National Symphony Orchestra and Fabio Luisi, Beethoven’s Missa Solemnis at Aix en Provence with Balthazar Neumann Orchestra & Choir led by Thomas Hengelbrock, and recitals at Carnegie Hall with Orchestra of St. Luke’s.
