Liv Redpath is a young leading soprano leggero on opera and concert stages around the world. 

Last season, Liv made debuts at Teatro Real in the new Deborah Warner production of A Midsummer Night’s Dream as Tytania under the baton of Ivor Bolton and at Semperoper Dresden as Pamina in Die Zauberflöte led by Giulio Cilona. She returned to the Glyndebourne Festival for her role debut as Konstanze in the David McVicar production of Die Entführung aus dem Serail led by Evan Rogister and to Staatsoper Hamburg as Pamina in Die Zauberflöte with conductor Keren Kagarlitsky in Jette Steckel’s production. Orchestral engagements included return appearances with the Berliner Philharmoniker to sing Mater Gloriosa in Mahler’s Symphony No. 8 at the Salzburg Easter Festival under the baton of Kirill Petrenko; LA Phil for Debussy’s La damoiselle élue with Esa-Pekka Salonen on the podium; Orchestra of St. Luke’s at Carnegie Hall in Beethoven’s Symphony No. 9 with Raphaël Pichon at the helm; and Danish National Symphony Orchestra in Copenhagen for Mahler’s Symphony No. 8, led by principal conductor Fabio Luisi. Concert debuts included the Orchestra Sinfonica Nazionale della RAI for Hans Abrahamsen’s Let me tell you, conducted by Thomas Dausgaard; Barcelona Symphony Orchestra for performances and a recording as Le feu/La princesse/Le rossignol in Ravel’s L’enfant et les sortilèges with Music Director Ludovic Morlot, a work she also performed earlier with the San Diego Symphony and their Music Director, Rafael Payare; and Phoenix Symphony for Mahler’s Symphony No. 4 and Mozart’s Exsultate, jubilate with conductor Alex Amsel. During the holidays, Ms. Redpath performed Handel’s Messiah alongside the Cleveland Symphony Orchestra with Bernard Labadie; The Saint Paul Chamber Orchestra with Dinis Sousa; and American Bach Soloists with Jeffrey Thomas. Her calendar was completed by recitals at Wigmore Hall in London and the Park Avenue Armory in New York City with pianist Harry Rylance. 

High points of previous seasons have included a first outing as Ophélie where she was “met with never-ending interim applause” in a new production of Thomas’ Hamlet by Nadja Loschky at Komische Oper Berlin with Marie Jacquot on the podium; many iterations of two favorite roles: Lucia di Lammermoor at Royal Opera House, Staatsoper Hamburg, Deutsche Oper Berlin, and Simon Stone’s new production at LA Opera, as well as Sophie in Der Rosenkavalier at Bayerische Staatsoper, La Monnaie / de Munt, and Santa Fe Opera in productions by Barrie Kosky, Damiano Michieletto, and Bruno Ravella, respectively; her Metropolitan Opera debut as Oscar in David Alden’s production of Un ballo in maschera; her first Agnès in George Benjamin’s Written on Skin with Accademia Nazionale di Santa Cecila; a Susanna debut in Laurent Pelly’s Le nozze di Figaro led by Harry Bicket; Mozart’s Mass in C Minor with Manfred Honeck and Danish National Symphony; and a Glyndebourne debut as Tytania in Peter Hall’s iconic production of A Midsummer Night’s Dream. Other orchestral collaborations have included Berliner Philharmoniker, The Cleveland Orchestra, LA Phil, National Symphony Orchestra at The Kennedy Center, The English Concert, Balthasar Neumann Choir and Orchestra, Cincinnati May Festival, Seattle Symphony, and Philharmonia Baroque.